Legend
Product dimensions/sizes or descriptions. [Listed in grey]
All prices are UK pounds and include VAT @ 17.5%. [Listed in green]
Oil Paints/Mediums
Paints
At Green & Stone we stock four excellent ranges of Artists' oil colour aswell as a value for money student range.
Blockx, Micheal Harding and Sennelier all offer highly pigmented finest quality paints. Each range has it's own distinctive character and colour range.
Blockx paint has a traditional buttery consistency and is ground in poppy oil, ready to use straight from the tube or with mediums. Sennelier Artist oils are slightly firmer while maintaining a distinctive creaminess, made with an archival safflower oil. Michael Harding's range of oils are denser so they can be diluted with mediums to the artists' individual requirements. | |
Bruno Charvin Artist's Oils
Since 1830, the Charvin company, located on the riviera, are proud to have supplied well-known painters such as Cezanne, Bonnard, Ambrogiani...
Charvin's Artists Oil Colours, manufactured in France with an advanced technology and using the best pigments ground into a medium consisting of half linseed and half poppy oil, bring a harmonious blend of tradition and modernity that has established a reputation for their high quality products world-wide.
Supplied in a 20ml tube, these paints are ideal for the plein air painter.
link to colour chart |  |
Series 1
| Titanium White, Zinc White, Indian Orange, Yellow Ochre, Raw Sienna, Burnt Sienna, Raw Umber, Burnt Umber, Indian Red Ochre, Venetian Red, Van Dyke Brown, Sepia, Vulcain Grey, Mars Black, Deep Black, Ivory Black. | 20ml tubes | 4.30 |
Series 2
| St. Remy Yellow, Naples Yellow Light, Portrait Rose, Coral, Light Ultramarine, Ultramaine Blue, Deep Ultramarine, Indigo Blue, Royal Blue, Emerald Green, Absynth Green, Terre Verte. | 20ml tubes | 5.30 |
Series 3
| Light French Red, Carmine, Purple Lake Madder, Amethyst Parma, Deep Violet, Light Cobalt Blue (imit), Ceruleum (imit), Turquoise Blue, Imperial Green, Light Cinnabar Green, St. Remy Green Light. | 20ml tubes | 6.40 |
Series 4
| Rubine Lake.
| 20ml tubes | 9.40 |
Series 5
| Deep Cadmium Yellow, Light Cadmium Yellow, Cadmium Lemon Yellow, Cadmium Yellow Medium, Cadmium Red Light, Cadmium Red Medium, Cadmium Red Deep, Cobalt Blue.
| 20ml tubes | 13.00 |
Titanium White
Charvin Bonjour Set of Fine Oil Colours
Inclues:
7 x 20ml tubes of artists oil colour in cardboard box.
 |
Height: 4.6cm
Width: 20.7cm
Depth: 11.6cm | 33.10 |
Charvin Plein Air Set
Includes:
10 x 20ml tubes of artists oil colour
3 x brushes
1 x 60ml tube of White oil colour
100ml Linseed Oil - in cardboard box
 |
Height: 6.2cm
Width: 27.3cm
Depth: 21.9cm | 87.75 |
BLOCKX Artists Oil Colour
"This gentleman (Jaques Blockx), who has never painted, will give more to the painters of tomorrow than all of us modern painters taken together" - Salvador Dali.
Established 1865 - Blockx artists oil paints maintain their traditional formulation, made with only the finest, most select oils and pigment. Fillers, extenders & driers are never used in Blockx formulations, instead they contain one of the highest pigment concentrations of professional artists paints. They are ground slowly and carefully on traditional stone mills to prevent pigment burning and to achieve the soft buttery consistency for which Blockx is so famous.
link to colour chart |  |
Series 1
Series 2
Series 3
Series 4
| 12.50 | Special order 200ml | |
Series 5
Series 6
Series 7
Series 8
Series 9
Flake White
Other Whites
Series 8b
| Vermillion, Limited Stock Available | 35ml | 112.50 |
MICHAEL HARDINGS Artists Oil Colours
"The first quality oil paint, EXCELLENT!" DAVID HOCKNEY 1998.
"These are the best oil paints in the world today" HOWARD HODGKIN 1996.
Artist's Oil Paint with the original colour intensity that artists would have experienced prior to mass production. Michael Harding paints have grown from a range of 15 colours in 1993 to a present day 64, and are now used by many leading artists. The greatest care has been taken in selecting all the ingredients to produce colours of power and intensity. All colours are ground in a grade of Refined Cold Pressed Linseed Oil chosen for its neutral acidity. There are two exceptions to this: flake white no.1 and titanium white no. 1. These are ground in Refined Poppy Oil which therefore is slower drying as driers are not included within the formulation of this range. As well as using traditional pigments this range of paints also makes use of more recent technological breakthroughs in pigment production to produce a fine range of lake colours with very high lightfastness ratings. 225ml -
Selected colours in stock.
All colours available to order.
.
link to colour chart
Because of health and safety regulations Lead White paint can no longer be packaged in tubes. Michael Harding will still be producing Flake and Cremnitz White but it will be supplied in 1 litre tins.
See below. |  |
Handmade colour chart
| Shows actual paint samples. | | |
Series 1
Series 2
Series 3
Series 4
Series 5
Series 6
Series 7
Lead Based Whites
Available in Foundation White, Flake White & Cremnitz White
![mhfwtin.jpeg]() |
| |
 | | 1 Litre Tins | 68.80 |
Lead Based White Cartridges
The 250ml cartridges are to be used with the cartridge guns.
 |
| |
| Series 1 | 250ml cartridge | 26.10 |
| Series 2 | 250ml cartridge | 44.05 |
Cartridge Gun
The 250ml cartridges of paint fit into the cartridge gun, providing a safe and economical method for delivering the paint.
 |
| |
SENNELIER Extra Fine Artists' Oil Paints
Established in 1887 in Paris, Sennelier has been producing high quality oil colour for generations.
Only the finest pigments are used.
They are ground very slowly with extreme care to an extra-fine consistency. Then they are combined at maximum concentration with an archival safflower oil to yield the highest possible tinting strength and a lustrous satin finish, which dries in a uniform manner over the entire range. Unlike linseed, safflower oil is non-yellowing.
Dense, yet buttery Sennelier oils are more highly pigmented and firmer than ever. The reformulated homogeneous consistency is better suited to the diversity of modern techniques. The slightly heavier body retains its unique creaminess, while offering greater versatility. Sennelier's classic palette is expanding with 50 new, original shades that encompass contemporary trends and tastes.
link to colour chart
|  |
Series 1
Series 2
Series 3
Series 4
Series 5
Series 6
ROWNEY GEORGIAN Student Oils
The Georgian oil colour is a good quality range produced at uniform and economical price, and includes some organic pigments.
link to colour chart |  |
| Flake white is only available in tins - Special order only. | | |
ROWNEY GEORGIAN Oil Paint Sets
Georgian oil selection set
| 10 popular colours | Tubes 38ml | 27.45 |
Wooden Box Set
WINSOR & NEWTON Artists Oil Colour
Manufactured from the finest available pigments, they are of supreme quality. The range of 106 colours each contain the maximum pigment content consistent with good handling, whilst great care is taken during processing to preserve the unique individual colour qualities.
link to colour chart |  |
Series 1
| | Selected colours 200ml | 20.99 |
Series 2
| | Selected Colours 200ml | 29.50 |
Series 4
| | Selected Colours 200ml | 50.00 |
Series 5
White
| DISCONTINUED | Tubes 120ml | 12.75 |
WINSOR & NEWTON Artists Oil Colour Sets
Mayfair wooden box
Bloomsbury wooden box
Kensington wooden box
Cheltenham wooden box
Knightsbridge wooden box
Dilutants, Oils and Mediums
White Spirit
Winsor & Newton Artists White Spirit
Refined petroleum spirit. Dilutes oil and alkyd colours. Cleans brushes. Does not deteriorate with storage.
 |
| |
Hilton Banks White Spirit
| Hardware stor grade, for cleaning brushes. | | |
Turpentine
Roberson Pure Gum Turpentine
 |
250ml | 10.65 |
Sennelier Rectified Turpentine
Pure wood turpentine.
Traditional thinner.
 |
75ml | 3.95 |
Winsor & Newton Distilled Turpentine
Artist's highly refined essential oil used as a dilutant for oil colours and cleaning brushes.
 |
| |
Hilton Banks Spirit of Turpentine
For diluting oil paint and everday use.
 |
| |
Daler Rowney Turpentine
Artist's oil colour dilutant and brush cleaner.
 |
| |
Low Odour Thinners
Daler Rowney Low Odour Thinner
Artist's low odour oil colour dilutant and brush cleaner.
 |
75ml | 3.80 |
Roberson Oil of Spike Lavender
Slow drying Artist's alternative to turpentine. Pleasant odour.
 |
60ml | 15.35 |
Winsor & Newton Sansodor
Artist's low odour oil colour dilutant and brush cleaner.
 |
| |
Other Dilutants
Turpenoid Natural
Non-toxic, non flammable oil paint cleaner, conditioner and medium.
 |
| |
Zest It Turpentine Substitute
Squeezable bottle
 |
| |
Linseed Oils
Winsor & Newton Cold Pressed Linseed Oil
Naturally processed. A slightly yellow oil which is extracted without the use of heat. For grinding pigment into paint.
 |
75ml | 5.25 |
Winsor & Newton Stand Linseed Oil
A pale viscous oil that can be mixed with turpentine or white spirit to improve the flow of colours. Retards drying but imparts a tough elastic finish.
 |
75ml | 5.25 |
Winsor & Newton Bleached Linseed Oil
A refined pale oil of slightly increased viscosity which will improve flow of colours and dries faster than refined linseed oil. Chemically processed, replaces sun bleached linseed oil.
 |
75ml | 5.25 |
Winsor & Newton Thickened Linseed Oil
A pale refined oil of syrupy consistency which increases flow of colours and speeds drying. Replaces sun thickened linseed oil.
 |
75ml | 5.25 |
Winsor & Newton Drying Linseed Oil
An oil of darker colour than refined linseed oil which increases drying rate of colours.
 |
75ml | 5.25 |
Sennelier Clarified Linseed Oil
Purified oil extracted from linseed. Faster drying than most other oils, but with a tendancy to yellow over time.
 |
75ml | 4.95 |
Winsor & Newton Refined Linseed Oil
An alkali refined oil of pale colour that reduces oil colour consistency, increases gloss and transparency whilst slowing drying rate.
 |
| |
Roberson Stand Oil
A pale viscous linseed oil, slows drying time, imparts a tough flexible finish. When used with turpentine improves
 |
| |
Other Oils
Sennelier Refined Safflower Oil
Clarified vegetable oil, a good drier with low acidity. Characterised by resistance to yellowing. Due to its pale colour it is used for grinding various whites. Mix with oil colours to add fluidity, transparency & gloss. Dries more slowly than linseed (but can be safely mixed with it) but faster than poppy.
 |
75ml | 4.95 |
Winsor & Newton Drying Poppy Oil
A drying oil for use with whites and pale colours, used to increase drying rate.
 |
75ml | 5.25 |
Daler Rowney Purified Poppy Oil
A clear oil to mix with and reduce white and pale colours. Slower drying than linseed oil. Enhances gloss and flow, but too high a proportion retards thorough drying of colour.
 |
75ml | 9.65 |
Roberson Walnut Oil
Roberson Refined Poppy Oil
Balsam
Robersons Canada Balsam
Oleo-resin from balsam fir tree. Used in recipes where clarity and rapid drying are important.
 |
60ml | 22.20 |
Robersons Copaiba Balsam
South American origin. Viscous liquid, may be diluted with turpentine. Used to restore and revive varnish and brittle paint.
 |
60ml | 10.90 |
Robersons Larch Venice Turpentine
From Austrian Larch tree. A slow drying thixotropic balsam for use in mediums and varnishes. Purified and slightly heated when decanted. May be placed in warm water bath to obtain fluid consistence.
 |
60ml | 10.45 |
Driers
Robersons Siccative
| Cobalt naphthenate and white spirit. Add sparingly to oil colours to accelerate drying. Thin with white spirit. | 60ml | 5.85 |
Sennelier Cobalt Driers
Sennelier White Siccative Drier
Mediums
Winsor & Newton Liquin Original
Oil modified alkyd resin. A tixotropic, translucent gel which quickly dries to a virtually non-yellowing film. Improves the flow of oil and alkyd colours for smooth brushwork, subtle blending or fine detail. It also increases translucency making it ideal for thinning glazes.
 |
| |
Winsor & Newton Liquin Impasto Medium
| (Formerly Oleopasto). Quick drying semi-gloss impasto medium | 60ml tube | 7.00 |
Winsor & Newton Liquin Fine Detail
| Quick drying fluid gloss medium. Ideal for detail work, glazing and smoothing areas with no brushmarks. | 75ml | 5.25 |
Winsor & Newton Liquin Light Gel
| (Formerly Wingel). Quick drying gloss medium for glazing. Very slight gel, which breaks down immediately on brushing. | 75ml | 5.25 |
Winsor & Newton Artists Painting Medium
Linseed oil, petrolleum distillate. A pale yellow thinning medium for oil colours which improves flow and wetting, thereby facilitating fine detail work. Dries to a flexible film with minimal tendency to crack.
 |
| |
Daler Rowney Alkyd Flow
Reduces the drying time, increases transparency and flow of oil colour.
 |
75ml | 5.50 |
Robersons Oil Painting Medium
CURRENTLY UNAVAILABLE
Double thick mastic varnish, pale drying linseed oil, synthetic copal varnish. Gives flowing quality and rich brilliant effect without gloss.
 |
| |
Robersons Maroger Medium
Mastic resin, gum arabic, linseed oil. Gives lasting brilliance to colours used in wet-in-wet technique.
 |
38ml tube | 10.30 |
Robersons Parris Marble Medium
Refined beeswax, turpentine, synthetic copal varnish. Used to give painting a non reflective surface, ideal for murals.
 |
38ml tube | 6.70 |
Robersons Glaze Medium
Turpentine, damar, stand oil, cobalt driers. Mix with either oil colour or pigment to increase translucency and improve flow. Ideal for thin glazes and fine brushwork.
 |
| |
Roberson Glaze Medium Matt
Roberson Medium 1810
Picture Cleaner
Winsor & Newton Artists Picture Cleaner
A liquid which dissolves linseed oil oxidation and cleans soiled oil paintings. Natural resin/oil emulsion containing ammonia. Valuable paintings should be cleaned by conservators.
 |
75ml | 5.25 |
Varnishes
Retouching Varnish
| Retouching varnish is much thinner than final coat varnishes. It can be used to bring back the paint quality of dull or dry oil. It is also used as a preliminary varnish as soon as the oil paint is dry, since oil paint can continue to dry through the film. This maybe useful for initial varnishing before an exhibition. Retouching varnish can be removed with white spirit prior to final varnishing or it can be left underneath. | |
Daler Rowney Retouching Varnish
Winsor & Newton Retouching Varnish
Synthetic resin, white spirit
 |
| |
Robersons Retouching Varnish
Gloss Varnish
| Modern general purpose gloss varnish is non-yellowing and can be used as a final varnish for oil painting when the picture has been dry for at least 6 months. Removable with turpentine or white spirit. It dries to a clear even gloss which is non-bloomong. | |
Winsor & Newton Artists'Gloss Varnish
Ketone resin, white spirit.
 |
75ml | 5.25 |
Winsor & Newton Conserv-Art Gloss Varnish
A superior quality artists gloss varnish for use with oil/alkyd or acrylic colours. Easily removable over a long period of time with white spirit or turpentine. Acrylic, ketone, petroleum, solvents.
 |
75ml | 5.25 |
Daler Rowney Artists Clear Picture Varnish
A final gloss varnish which should only be used when an oil painting has been left to dry for at least 6 months. However when applied lightly by aerosol it makes an excellent retouching varnish.
 |
| |
| DISCONTINUED | Aerosol 400ml | |
Robersons Gloss Varnish
Matt Varnish
| Modern matt varnish is a non-yellowing topcoat varnish which should only be used on an oil painting which has been allowed to dry for 6 months. It can generally be mixed with artists gloss varnish to give a range of semi gloss surfaces. Also suitable for alkyd and acrylic surfaces. | |
Daler Rowney Matt Varnish
 |
75ml | 5.00 |
Winsor & Newton Artists' Matt Varnish
Robersons Matt Varnish
Satin Varnish
Le Franc & Bourgeois Satin Picture Varnish
For oil and acrylic. It needs to be gently warmed before it is used.
 |
| |
Roberson Picture Varnish - Satin
Damar Varnish
| A pale yellow varnish which dries quickly to a high gloss (will be less glossy if applied thinly). Tends to darken with age. | |
Winsor & Newton Damar Varnish
 |
75ml | 5.25 |
Robersons Damar Varnish
Mastic Varnish
Roberson Ordinary Mastic Varnish
 |
60ml | 12.00 |
Wax Varnish
Winsor & Newton Wax Varnish
A white paste which is rubbed onto an oil painting to achieve a soft sheen finish. Beeswax and white spirit.
 |
60ml | 7.00 |
Oil Paint Sticks
Markel Artists Oil Paintsticks -Professional Range
Markel paintsticks are ideal for quick, spontaneous sketches and perform beautifully with all conventional oil paints. Made from highly refined drying oils blended with the finest pigments and molded into sticks. Also used by craftsmen and make an ideal stencilling medium.
link to colour chart
please note that Iridescent colours are now classed as series 5 although we still have them listed as series 4 on our colour chart |  |
Series 1
Series 2
Series 3
Series 4
Series 5 - Iridescent Range
Markal Boxed Set
| Professional Set No.100 | 12 Sticks | 50.00 |
Winsor & Newton Oilbar - Slim
Artist quality oil paint in stick form. Pigments are blended with oil and waxes. Provides the buttery consistency of oil colour together with the directness of pastels.
link to colour chart |  |
Series 1
Series 2
Series 3
Set of 6
Go to top